1) Why do we consider photography as a form of cultural critique? Is every
photograph able to do so?
Photographs provide us with the ability to capture the past and present. Photography
itself is an art of memory. American writer Oliver Wendell Holmes called
photography "the mirror with a memory "(Geoffrey Batchen, 2004)Therefore,
photography can be regard as memory, document, testament etc. Photography can
cause great influence in society and culture. So I believe that we need to consider
some photography as a form of cultural critique.
Look at the photography below.
This photograph was taken in 1991 in China. The title of the photo is “I want to go to
school”. The photo shows a girl who has big eyes and with a pencil in her small hand,
desired to keep studying. The photographer was sent to some poor villages in An Hui
province in China for the Hope project whose objective is to help the children who are
in the poorer regions in China. At that time, he noticed the girl,especially her big eyes.
It seemed that her eyes were telling people I desired to go to school, I wanted to keep
reading.
After the photograph was published, it brought the whole China attention to the
education problem in poor regions. This photo became the mark of the Hope project
and the girl became the image representative of the Hope project. What's more, the
Hope project got over RMB100 million in donations from individuals and companies.
The government decided to spend more on education too.
This is an example about a photograph was considered as a form of cultural critique.
But I don't think every photography is able to show cultural critique. One of Man
Ray's experiments with photograph involved taking what he termed "unconcerned"
photographs. He would use the camera to take pictures by chance, with little or no
regard for subject or composition (Wright Terence, 1999). That means that some
photographs are taken just for fun, such as self-portrait. So not every photographs are
able to show cultural critique.
References:
Batchen, G. (2004). Forget me not: Photography and rememberance (pp. 6-16). New
York: Princeton architectural press.
Wright, T. (1999).Photography handbook (pp. 135-151). London and New York:
Routledge

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